ILHAN ERSAHIN'S ISTANBUL SESSIONS SEPTEMBER TOUR

Calibro 35 Listening Party and Video Screening in Austin!

Snack Bar in Austin has partnered up with Waterloo Record store in Austin, Texas to throw a special listening party for Calibro 35 new album "Ritornano Quelli Di..."
They will also screen their music videos and special videos. If you're in Austin, don't miss it! They will be serving their favorite Italian wine and coffee all night!

Thursday, August 19 at 8pm
Snack Bar
1224 S Congress Avenue
Austin, Texas

More details

ALBUM available on Amazon, iTunes, Nublu digital




NUBLU in turkey

Calibro 35 Introducing the cinematic mayhem of Italian music combo!

"Italian soundtrack funk that sounds like Goblin recording at Stax!"
—Wax Poetics Magazine

"This is a textured sound, all polyester, red leather, sex, death, and car chases"
—Buzzine

"Live instrumentation handled in ways that bring something new to the tunes, but remain very faithful to their original inspiration."
—Dusty Groove

Charting Top 50 on CMJ Top 200!

MOJO - 3 Star Review! September Issue

Alarm Press - "Best Albums of the Week" 7/13

Nublu Records is proud to present the U.S. debut album from Italian funk maestros, Calibro 35!

These guys are something else, creating an explosive mix of funk, jazz and rock into what sounds like a classic soundtrack to an Italian mobster movie from the 60's! A perfect accompaniment to driving that small roadster you've always dreamed about. The four piece band is helmed by Tommaso Colliva (Muse, Franz Ferdinand, Arto Lindsay) and his musical cast of characters: Massimo Martellotta (Stewart Copeland) on guitars, Enrico Gabrielli on keyboards, brass and flute, Fabio Rondanini on drums and Luca Nano Cavina on bass.

Check out this mini-site for a more extensive bio, along with photos, additional tracks and a peek at the band in the studio. Also check out this video mash-up of the infamous car chase scene in Bullit with Calibro 35 track, "Five Dolls for an August Moon" which was selected top tune on KCRW!

ALBUM OUT NOW!

Available on Amazon, iTunes, Nublu digital




NUBLU in turkey

NUBLU at THOM

NUBLU ORCHESTRA EVERY MONDAY IN JULY

ISTANBUL SESSIONS NEW ALBUM
itunesamazon us nublu online store

SUMMER TOURS 2010!!!!!! NEW ALBUM!!!!

NUBLU ORCHESTRA MAY 24 & 31

NEW RELEASES New remix releases out March 23rd worldwide!

FORRO IN THE DARK
Perro Loco Remixes
Digital only


Two original tracks from Forro in the Dark's latest album 'Light A Candle' get remixed. First up is Solo (Deadfish/Dirtybird/Southern Fried), a very talented DJ/producer who's been tearing up the dancefloors in the UK and beyond. He's delivered a good number of heavy club hitters recently and this remix is no less! A super summer feel good track with a great sax hook.

Next is Uproot Andy, Brooklyn based DJ/producer from ZZK and Bersa Discos labels. Here he turns the quirky reggae inspired original to a electro cumbia number. Hot, hot, hot.

"the sneaky Ibiza hit?" DMC Buzz Charts #19

DJ support from Laurent Garnier, Annie Mac (BBC), X-Press 2, Crookers, and many more.




HESS IS MORE
Hits Remixes EP
Digital only


Hess Is More's "Ssshhh" and Yes Boss" from their debut U.S. album "Hits," finally get the remix treatment from a slew of red hot producers. London house freaks Zombie Disco Squad (Made To Play) are up first, with a cracking remix of "Ssshhhh." Glaswegian producer The Revenge, clocks in next for all the spaced out, cosmic heads out there. His remix of "Yes Boss" is a chilled out future disco number that would fit nicely at your next loft party or sprawled out on a Mediterranean beach with a brew in one hand and sunscreen in the other. Hess Is More's "Ssshhh" and Yes Boss" from their debut U.S. album "Hits," finally get the remix treatment from a slew of red hot producers. London house freaks Zombie Disco Squad (Made To Play) are up first, with a cracking remix of "Ssshhhh." Glaswegian producer The Revenge, clocks in next for all the spaced out, cosmic heads out there. His remix of "Yes Boss" is a chilled out future disco number that would fit nicely at your next loft party or sprawled out on a Mediterranean beach with a brew in one hand and sunscreen in the other.

Last but not least, disco house maestro Pete Herbert steps up to the plate with his take on "Yes Boss." One word comes to mind when you hear this tune, Funky! A stomping bass-line accompanies horns and guitar stabs that move the feet and clear the mind. Both The Revenge and Pete Herbert mixes come with DJ friendly dub versions.

DJ support from Gilb'R (Chateau Flight), Jeannie Hopper, Jacques Renault, Michael Rutten and many others.

NUBLU IN PARIS MARCH 12/13 2010

NUBLU JAZZ FESTIVAL ISTANBUL MARCH 2-11, 2010

WAX POETIC feat. OTTO / ALESSANDRA




WAX POETIC Keyif-The Relaxed Minute




NEW YEARS 2010 NEW YEARS 2010

MORE NEWS here

JOCHEN RUECKERT

by John Ferris Jochen Rueckert was born in 1975 near Koln, German and started playing drums at age 6. In 1995 he moved to Brookyn, NY where he lives now. He does not own Kid A and has many moods to choose from.

Jochen plays with jazz bands like Kurt Rosenwinkel Quintet, Marc Copland Trio, Nils Wogram, Root 70, etc., with Nublu favorite I Led 3 Lives, Germany’s electro band ìpluramonî and burnt friedman and ìflanger.î Jochen also plays bass for indie rock band ìworldclass.î He programs electronic music as ìwolff-parkinson-whiteî and has done various remixes of Nublu artists.

JOHN FARRIS: So, Jochen.

JOCHEN RUECKERT: Yes.

JF: You’re playing Nublu. How did you meet Ilhan?

JR: We met playing jazz at Sweet Basil about 8 years ago.

JF: Oh yeah?

JR: Or something like that.

JF: So now you are in how many of his bands?

JR: Well, two I guess. Or three. That would be Love Trio. I Led 3 Lives and Wax Poetic.

JF: And what band were you playing with when you met?

JR: He had this jazz gig at Sweet Basil. Brunch on Sundays.

JF: How did you meet him?

JR: He was playing that brunch gig and I used to swing by there and sit in. And then he started calling me. I had friends there like the bass player, Joe Martin.

JF: How long had you been here in the States?

JR: About 10 years?

JF: Oh, you had been here. Who were you playing with when you came?

JR: Nobody really. I just sat around for a while. I used to do these really small gigs. The first really bigger gig was with the Marc Copland Trio -- that piano player. He used to play there on Monday nights.

JF: How did you make the transition from jazz to what you are playing now? What compelled you to do that?

JR: It was really just Nublu. People were here and people want to dance. It really just happened because we were at this club. It wasn’t intentional. It was here and people were dancing and we said what should we play? So we decided to play something people could dance to. I got a computer and I was like what can I do with this, I guess dance music.

JF: Who is this band comprised of?

JR: This right now is just me and this guy Brian who usually just plays organ and synthesizer and stuff, for now. This is our second or third gig. We are throwing things together.

JF: What do you like about that?

JR: I like playing with two people because it makes the music kind of sparse. The more sparse it is, the more punchy it gets. It gets a certain punch. With two people just looking at each other, it’s easy to switch from one type of section to another. Because we’re just improvising. There are no tunes or anything. So, two people make it more easy to change things on the spot.

JF: What keeps you playing this?

JR: Because NuBlu is here and I am in town and because people want to dance. I want to play for them. It’s really a NuBlu specific type of thing. I wouldn’t want to do this in concert.

JF: Who is this playing with you there?

JR: His name is Brian Carrette. He’s like an old school organ player. He does a lot of sort of groovy, kind of soul jazz/bluesy gigs. He’s really into that kind of stuff, so I’m working with that stuff with him.

JF: So how long have you been doing the backbeat thing?

JR: You mean this type of music? I’ve been playing with Wax Poetic forever. But the stuff with the computer, that unfortunately didn’t happen until my computer was broken.

JF: So if your computer is not working that really inhibits you?

JR: For this particular gig, yes. I’m kind of like a DJ who also plays drums. Not a DJ, but like I mix things together until I have something established and then I play drums and then I go back and forth between playing the computer and playing drums. Then it’s good because then you just play drums. Because working with the computer at the same time you are playing drums does inhibit you.

JF: So you’re probably going to say you like playing with all of your bands if I say which bands do you like playing with the most.

JR: There is very little that I do that I don’t like. Virtually nothing.

JF: What do you play most?

JR: Most of times I play straight-ahead jazz. Fifty-percent of the time I play straight-ahead jazz -- what would be considered acoustic jazz.

JF: What other bands do you play with besides Ilhan’s?

JR: I still play in Marc Copland’s Trio. I play with this guy from Zurich named Nils Wogram, he plays trombone. I play with Kurt Rosenwinkel.

JF: How old are you?

JR: I’m 30 now.

JF: When did you start playing? And what were you doing in Germany?

JR: I started playing when I was around 6.

JF: Who did you listen to?

JR: I didn’t listen to jazz until I was around 15 or 16.

JF: And who did you listen to then?

JR: Well, the shittiest -- I was into the funkiest music. Like ‘80s shitty, funky fusion music. Stuff that really disgusts me these days. That kind of stuff.

JF: And then who did you start listening to?

JR: Like ‘60s jazz. Whatever my family was playing.

JF: So your family played music?

JR: My Dad is quite a music collector and my brother is a jazz pianist.

JF: So, yeah what’s his name?

JR: Thomas.

JF: So is he in Germany?

JR: Yes, he’s still there.

JF: So what you brought to America?

JR: I came to visit a friend and stayed. I was, like, fuck Germany.

JF: Are you legal? (laughter)

JR: Absolutely, 100%. I guess I was lucky, I got legal before 9/11.

JF: So who informed your style?

JR: On the jazz side Tony Williams, I guess. I’m really, really into Tony.

JF: From his Lifetime days? From Miles?

JR: Miles up to about ‘69, I guess.

JF: Do you like Lifetime?

JR: I do like Lifetime, it’s like a really different kind of thing. It took me a while to kind of get into it.

JF: Did you ever play with any of your heroes?

JR: I play with the younger guys. I play with Josh Redman. Pat Metheny. I play with Brecker. You know, it’s not like I play with Coltrane. Those people I love like that are mostly all dead.

JF: So I heard you playing with I Led 3 Lives. Do you like that?

JR: Yes, very much. I like it because there’s nothing to lay back on. There are no tunes or nothing. You just go.